Recently the difference between the silver screen and the numerous thirty-inchers hooked up to gaming platforms, dotting bedroom’s across the globe has been merged. But has it been abused?

Adam Elkus wrote a piece that I recently discovered, titled Game Over, Curtains Close, which gives an interesting analysis toward why video-game adapted movies have always been worse than their predecessor. He lets in the common argument from disappointed gaming fans: that the cast of the movie, its director, and its plot pails to compare to the superiority of the original game.

But this is contradicted entirely with the case of Final Fantasy VII: Advent Children, which was written, directed, produced, and scored by the exact same people who made the original game. Consequently, the movie was a complete flop — going straight to DVD. 

So what really is the difference between video games and movies that is so large, yet undiscoverable? Elkus argues that because video games are active and movies are not, watching a video-game based movie would ultimately be a direct contrast to watching your friend play video games over his back for two hours. 

Although I do believe this is true, I think there’s more to the argument than that. In truth, a movie may be different morally than a video game, the audience is a big factor. Movie-goers are simply different people with different tastes than gamers, and that carries out to the theaters. And no matter how original the remake may be, it simply will fail because no one watching it will enjoy. 

And because a movie is the opposite of a game, a gaming movie will never succeed in the box office. Simple as that.

After sitting through all the superhero movies Marvel and Hollywood could throw at me, I was pondering the awful question: what has happened to the great Hollywood? It seems today that everything they make is the customary Disney G-Rated movie that will definitely include: 1 dead parent, 2 golden retrievers (or more), someone from either the disney channel shows Hannah Montana, The Suite Life of Zach and Cody, or the Raven Show, and finally one of the annoying Jonas Brothers to randomly do a solo during the credits. Either that or they will mass produce an string of animated Star Wars movies and then throw in a second Transformers without Megan Fox (because she asked for too much cash), with more annoying Shia Labeouf, and then toss in as much special effects that you’d think you were in a nightmare. The result? Sadly, with millions of 15 year old girls for Shia Labeouf and millions of tweenage disney cult members buying tickets, the makers of these movies (while sitting on a throne of cash) start a sequel — then a trilogy…. This is why movies today in every season but maybe Fall are just the reality of a bad dream. And now, the small population of film enthusiasts that appreciate good movies today is a dying breed. 

If only Hollywood could put aside their blood and gore ego and remember the masterpiece that they made almost 40 years ago in All the President’s Men. This was a movie that defied all the odds to me, it delivered an excellent plot, twists, suspense, it kept you guessing, and above all — there wasn’t a single shot fired. The plot was true (Nixon’s henchman’s infamous failed heist of the democratic headquarters) and even though you knew the ending, you still wanted to see more, because somehow even though you knew every single detail backwards and forwards, you were engaged 100% on the screen. You head was spinning through the full two and a half hours, and after so many years, here we are in 2008, still remembering this movie. Its a timeless, classic mystery, but its too action packed to be a classic or a mystery. Its a great action movie, but there wasn’t a single drop of blood. This movie deserves to be in its own category, and it goes to show you that even though today we have all the money and brains we want to spend on a cinema, we are still too egotistic and stubborn to produce a movie with a plot and sequence that we could 40 years ago. And because of this, I am saddened that I was not born yet into that past movie era of great minds, directors, actors, and above all…plots.

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